In the old FCP, you could import the footage from various cameras that covered an event (say, a concert) from different angles simultaneously, and thenĮasily cut back and forth between them while editing. It’s onlyįair, however, to separate what’s really missing from knee-jerk “It’s so different!” hysteria.Ĭomplaint: There’s no multicamera editing.
I’m not trying to be an Apple apologist FCP X offers legions of amazing features that the old version didn’t have, but it doesn’t have all the features of the old one, either. The “missing features” generally fall into three categories: features that are actually there and have just been moved around, features that Apple intends to restore and features that require a third-party
#Final cut pro video editor reciew professional
I foundįCP X infinitely more powerful than iMovie, yet infinitely less intimidating than the old Final Cut.īut in this post, I’m going to address the concerns of professional video editors, one by one. I made four movies with Final Cut Pro X, including helping my son with a 20-minute final eighth-grade project. I wrote my review from the perspective of an advanced amateur I’m not a professional editor. There are so many missing high-end features that we need, “Apple has absolutely no clue what professionals need. “This is Apple’s worst release in history,” seethed one in an e-mail message. Columnist, David Pogue, keeps you on top of the industry in his free, weekly e-mail newsletter.
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